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Hello,

I have a Martin Soprano uke where the bridge came off. There are also some spots on the back that need addressed.

For the bridge, from what I can tell the string slots themselves are still in good shape, but there is a chunk of the bridge that is gone.

I’m looking for thoughts / recommendations on the bridge. Clean it up and glue it back down with HHG? Or should I try to recreate it? The only real issue I can tell is the chuck missing on the backside.





For the back I think just thin some HHG and clamp? Seems pretty straight forward.



Brad


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Might want to replace that bridge, after a while they just get extremely worn out.

For the back you can easily clamp with hot hide glue. one thing you might try as well is adding a little heat to help the wood lay back down flat. I've just used a soldering iron with a little wet cloth to spot steam these back down in the past. Either way it's a straightforward fix.

Time for a new bridge.

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I was really trying to avoid making a new bridge for it. But... time to learn something new I guess!!

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Uke bridges are insanely simple compared to a regular guitar bridge. That advantage you have is that you have the original, shouldn't be too much trouble to make a replacement with that to copy the design.

That bridge doesn't look right to me, at least for Martin ukes made from the 1920s onwards (and Martin only started making ukes in 1917). The front and sides should be rounded, not scalloped, and the saddle should be a separate drop-in (and probably ebony).

However, your bridge does look pretty old, so it might be worth some research in case Martin made a few oddballs. However, the 1917 pamphlet (you can find a copy here: http://www.ukulelemag.com/stories/marti ... es-history) looks like the same as the 20s style, though the resolution is too poor to be certain, but it definitely shows a drop in saddle.

Ken Timms makes stunningly accurate (and excellent) reproductions of the Martin 20s Style 0, and a quick web search will find you dozens of useful images. You'll see that the shape is extremely simple to make.

Thanks, Chris. I picked up the John King book to do some research. So far I only know what the owner thought which was early 20’s - 30’s but they weren’t sure.

Thanks for the references.

Brad


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Show us a few more pics and we might be able to suggest a date range. On the seam separation the back looks a little thick for an early Martin, maybe more like 1950s/60s production, but hard to tell without seeing the whole instrument from several angles.

Certainly worth fixing, whenever it was made!

Here are some pics. From what I can tell it’s a style 0, but I don’t see anything else to give me a clue on timing. Any details I can give that will help?

If anyone has one from this era with the original bridge and can give some dimensions I would highly appreciate it.






















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Here are some pictures of mine. It does not have the stamping on the back of the peg head or inside the sound hole like yours.









I don't know the exact year but I always thought it was around 1030. Style 0.

There is a little anecdote associated with it. I got a call from my dear old dad one day, he said he was an a estate sale and there was this little Martin instrument. I asked him to describe it, he said it was pretty small and all redish brown and real old - did I want it? Thinking probably an 00-17 which I dearly coveted I said "how much". He said "it'll cost you lunch".

A few days later we had lunch and he presented me with the little uke. Lunch was good.

Thanks, Freeman. I picked up an “Early Martin Soprano” plan from Elderly that has the bridge dimensions. I think I will have to make a new one.

I talked to a guy who is well versed in dating these and he thought late 20’s early 30’s given the stamp on the back of the headstock and the tuners.

I will build a bridge and see how it looks. I may have to try my hand at relic’ing.


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What about maybe buying this and using the bridge from it? I'm hesitant to make a new bridge because it will stick out like a sore thumb.

https://www.ebay.com/i/233170589783?ul_noapp=true

How much is too much for this uke on ebay? The bridge looks "OK" to me.

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I'd have thought the only problem with a new bridge is colour matching. If you can get that right, then a few fingernail marks and some light abrasion would be all you'd need to make it look appropriate.

Why don't you join the ukulele underground forum and contact Ken Timms (Timbuck on the forum). He's in the UK, but a bridge is nothing to post. And I know he has just made a batch of soprano bridges for his 20s Martin Style 0 replicas.

For those who don't know, Ken makes a better Martin soprano uke than Martin does these days - his aim is to match their 20s offerings and the consensus is that he gets really close! Plus he's a nice man, and I'm sure he can help you out with a bridge.

Chris, I wanted to circle back and say thanks for referring me to Ken. He shipped me three (3!!!) bridges ranging from just needing final sanding to drilled and slotted and needing shaped so I can choose what works for me. Truly unexpected and very appreciated. Thanks a lot of sending me on the right path.

Brad

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Ken is a class act! And if you ever get the chance to play one of his ukes, grab it with both hands.

So I’m just now getting back to this project (thanks Corona!)....

I cleaned up the bridge footprint area a bit with a toothbrush and some very light moisture. The glue from the previous repair is HHG or fish, it cleared out easily enough. Here is what I’m left with:



There is some wood missing from I believe when the original factory bridge came off. I say that because the replacement bridge had a big glob of glue right in the upper left corner.



I stained the bridge from Ken Timms with some tobacco brown stain from SM. Still more work to do to match it.





Some questions:

1) The replacement bridge that was out on many years ago is larger than this period correct sample from Ken. The placement according to the saddlematic is shown above. There is a bit of footprint showing all around the bridge. Which is more important, being the right size or cosmetics? Should I make a bridge that is larger to cover the entire area?

2) There is a bit of wood missing. See the circles above. Do I try to graft anything in or just leave it?

3) Should I try to add any shellac FP around the perimeter or leave it as is?

I just want to make sure I don’t do anything to reduce the value of it and / or do something that the next guy will have to “fix”.

Brad


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Definitely, graft in some patches. You want all the real estate you can get get for a bridge joint. A blank hole (no matter how small) takes away from the total strength. Fit the patches so they touch as much of the exposed surface inside the chip-out as possible (I sometimes use chalk to help the process). Don't worry about fitting any of the patch that extends about the top, that can be trimmed off later after the glue has dried. In fact wood extending above the top gives you something to hold onto. Replace with like, meaning same species and if possible, similar grain direction. HHG is the best for this vintage of an instrument. Protect the surrounding finished surfaces with a couple of layers of masking tape. Then trim and level the repairs starting with the following suggestion for a progression of tools: flush trim saw, spot riffle, rasp or heavy duty scraper, light duty scraper or hooked razor blade, and if necessary, small firm sanding blocks up to 180 grit. The goal is a level and fully solid bridge footprint. The repair will go quicker than it sounds, and you will be glad you went to the extra effort when time comes to glue the bridge.